Arshad steals the show in Kabul Express

George Romero's Night Of The Living Dead ended with the scariest scene of all -- human beings have won the battle against the zombies and are now rounding them up like mad dogs, shooting them in the head and burning them on a pile of dead bodies.

It was a fictional horror film.

There is a scene in Kabir Khan's directorial debut, Kabul Express, which is actually taken from real life -- Afghans who have suffered under the Taliban regime rounding up Taliban members and beating them to death.

Kabul Express is not a documentary, but a tale weaved around to show the current scenario of Afghanistan post-9/11, post Pakistan abandoning them, as well as their own soldiers who were a part of the Taliban regime.

John Abraham plays a journalist and Arshad Warsi, his cameraman. They land up in Afghanistan for a story and end up being taken hostage along with their Afghan driver and an American journalist by an escaping Pakistani colonel who was a Taliban member.

Kabul Express works in parts, each visual depicts the tragedy of a spectacle called Afghanistan, each scene is also accompanied by a killer line by Arshad. John really doesn't have much to do or say in the film and is treated purely as eye-candy, much like his female counterpart, the American journalist Linda Arsenio.

Kabir, thankfully, doesn't take sides and gives due blame to bring the current situation to light. America is named as the reason for every ruin you see in the film. The most interesting conversation takes place on the run -- when Coke-Pepsi, Madhuri Dixit, Kashmir and America are all tied up, you cannot stop laughing and being pissed at the irony of it all, that in the end all these wars are digging up oil and selling Pepsi and Coke.

Kabul Express suffers from poor characterisation of John and Linda. At times, you squirm in your seat as they have no real connection to the story. But then having John in a film helps market it so that the film opens to houseful boards. That isn't really a strategy you can find fault with because the reason a film likes this ends up being green-lighted is for the star power behind it.

One wonders why would two journalists land up in Afghanistan without a guide or any contact or be unable to find a shutterbug in a country overflowing with photojournalists.

Yash Raj Films decides to experiment with Kabul Express, a songless film. Technically, every department is top notch. As an actor, Arshad steals the show. Salman Shahid and Hanif Humghum are also very good.

Kabul Express is a good-looking film but it refuses to get its hands dirty. Instead of having a gritty and rugged feel, it is too spic and span. Technical finesse is one thing, but in these rugged terrains, the feel should be more like the look of a commercial film like Black Hawk Down to get the viewer more involved. Kabul Express should have had the look of Omkara.

What makes it hard to quibble about a film like Kabul Express is that the film works on many levels. It's a first as an Indian film showing a true picture of Afghanistan. It shows the plight of Pakistanis caught on the other side after their country was forced to change allegiances by America. It is a film which makes you ponder on heaven over the decades ruined by a capitalist monster running amok worldwide.

The scariest scene in the movie is when the Pakistani soldier talks about the deception of America, mirrored by his colleagues at the Pakistani border that has been sealed off. The scene makes you think that Pakistan and America have been the best of friends, but America has no friends. Today if this is the state of Pakistan, what about India?

We are going to bed with a monster with no heart. Are the ruins of Afghanistan a mirror to the future ruins of a country called Pakistan? A country called India? Are we just fuel pumps on a global map selling oil and Coke?

Kabir Khan has told a story from his heart, and what is important is that his heart is in the right place.